Upon dissection, there definitely are connections from song to song (someone mentioned Pushit/Eulogy), but song content put aside, I'm dealing strictly with numbers. You must view the album as a single entity, and this is a prime example of the sum of the parts being greater than the given whole. My theory was not to connect the songs, necessarily, but to show that the entire album plots itself out I suggest that the band concieved the track numbers prior to the track listing, that is to say, that they knew they would have 15 tracks, as opposed to, say 14 or 16.
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